Please note: This is work in progress. Please keep that in mind as you read. We are sharing this work in progress because these materials are relevant to discussions of school governance underway right now in New York. Please share your feedback at [email protected] and check back for updated versions soon.
By the 1980s, Audre Lorde was working full-time as a writer. She had published essays and poetry. She had also been fighting cancer, which she was diagnosed with in 1978.
In the 1970s and 1980s in New York City, many Black and Latinx neighborhoods were impoverished and their residents were struggling. Some landlords decided they could make more money by burning down their buildings—where people had been living—than by renting them out to individuals and families. This led to many dangerous fires, especially in the South Bronx. Once the fires were put out, they left behind damaged buildings and piles of rubble. Nonetheless, there were families and children living, growing, and playing in these areas.1
Palante was a self-published newspaper in which the various branches of the Young Lords Party highlighted important issues in their communities. They examined social issues through a critical lens that unearthed how colonialism, capitalism, and racism created problems for Puerto Rican communities.
Please note: This is work in progress. Please keep that in mind as you read. We are sharing this work in progress because these materials are relevant to discussions of school governance underway right now in New York. Please share your feedback at [email protected] and check back for updated versions soon.
In the East Harlem community control district, teachers emphasized subjects that connected to their students’ African heritage. They also made use of the school’s physical spaces to recognize Black history, including in programs that welcomed members of the community around the school.1
The Brownies’ Book included different kinds of writing, visual art, and photography by adults. But it also included letters from readers. Black children from around the United States who read the magazine sometimes wrote back.1 What they chose to write about tells us what The Brownies’ Book meant to them and what was happening in their lives.
The NAACP and W.E.B. Du Bois created The Brownies’ Book to speak directly to Black children about the world and their lives. The images in the magazine were a key part of how the magazine worked to help its readers know (in the language of the time) that “being ‘colored’ is a normal, beautiful thing.” The creators also gave this issue the title “I am an American Citizen.”1
Here are a few pages from the first issue of the magazine. The editors of the magazine made many choices about their publication. They chose the text and articles, the images, the design, and more. Looking carefully at what they produced helps us think about their goals for the publication.
